![]() Editing audio is also easy and flexible with a lot of comprehensive editing tools and modes. It is easy to drag and import tracks as well as record tracks. You can get tracks into Mixbus by either importing or recording. It opens with a Mixer window by default and lets you play around with controls. Mixbus operates in two different ways – Mixer and Editor. It also has a signal flow order window which allows arranging each piece of processing, hardware inserts and auxiliary sends in any order. ![]() Harrison Mixbus provides an unlimited number of MIDI, audio and auxiliary tracks which are fed into subgroups and the main stereo bus. Tracks are laid out well with left pane displaying the currently selected channel strip and right side displaying the session lists at a glance. There are timeline lanes like Range which allows bouncing at any pre-defined range, ideal for mixing live albums or exporting a part of a mix. The Editor window is laid out comfortably with tools for editing, transport, counters, playback modes, song map and selection. Harrison Mixbus offers a few screens to work – the editor view that represents multitrack while the mixer view which represents console and others. Let us take a closer look at Harrison Mixbus. With such a long manufacturing history, Harrison makes it clear that their DAW is aimed at emulating the feel and sound of mixing on a console. While the brand is not so famous as Neve or SSL, their consoles are used in top music mixing and film studios around the world. Live and learn.Harrison has been making analog consoles since 1975 and has earned a reputation for producing world-class consoles, both analog and digital. I just hadn't fallen upon the softube stuff before I bought this one. My fault though considering I had 14 days to figure it out. Maybe I'll go back and try it again with some different mics and stuff.but for now I just feel like I wasted a bunch of money on an overpriced plug. But demo it out and see for yourself, you might really like it. The Harrison is not like 's just ok.especially if you have great signals and sources to work with.but I don't think it's got any magic like the ones I mentioned. But with the softube I can push there and it never sounds wrong even when overdone and right in your face. That's home base for the range of vocals I was trying to perfect so I popped on it. I guess I should preface that I purchased this because someone said you can boost 3k in this thing and it's a dream. Those are way more analog and warm and full musical sounding to me. ![]() Having said that, this is not even close to being in the ballpark of something like the Softube active and passive EQ's. Paul Third on youtube talks about this in depth and there are some google articles that cover it. Apparently UAD knew this wasn't going to fly with their customers so they did ad something to the plug to make it "vibe" a bit, but I'm still not impressed. That means there wasn't anything different about it from any other standard EQ except for the curves it was made with.which anyone could do with any stock EQ with the Q function. Apparently Harrison released their version of this EQ natively and didn't include any of the harmonic distortion that would make it sound like the original. I used this plug for a bit and thought it was pretty decent so I popped on it, and I regret it now. Not really in love with this thing.regret buying it. Finally, the Harrison 32C features 12 dB per octave High and Low Pass filters which can be switched in or out. Furthermore, the Low band is switchable from Peak to Shelving EQ. Instead of traditional Q controls, the 32C has circuitry that automatically adjusts the effective bandwidth, adding to its signature sound. Each of the Low (40-600 Hz), Low-Mid (200Hz to 3.1 kHz), Hi-Mid (400 Hz to 6 kHz), and High (900 Hz to 13 kHz) bands have fully sweepable Frequency and Gain Controls. Renowned for its colorful, smooth high-end response, and friendly, put-it-on-everything usefulness, the Harrison 32C EQ plug-in features four overlapping parametric bands. “The additional Harrison EQs within Pro Tools sessions are a Godsend.” “I never dreamed Universal Audio’s design team could come so unbelievably close to capturing the sound of my beloved desk,” says Swedien. ![]() and engineer Bruce Swedien (Quincy Jones, Michael Jackson), Universal Audio has recreated the Harrison four-band 32C channel EQ from Swedien’s own Harrison 32 Series console - the same console behind Michael Jackson’s Thriller. ![]() The Harrison 32C Channel EQ plug-in for UAD-2 hardware and Apollo interfaces is an expert emulation of this classic, character-rich, four-band channel EQ. ![]()
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